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Trisha Ashworth and Amy Nobile conducted interviews with hundreds of mothers while researching their best-selling book I Was a Really Good Mom Before I Had Kids. It didn't take long before these moms began to reveal their Dirty Little Secrets—surprising, thought-provoking, guilty confessions they hadn't told anyone else. Cringe-worthy moments ("I bit my daughter's finger trying to steal a bite of her cookie.") meet real insights ("I love my kids but I didn't always. It took time to fall in love with them."). These are the private thoughts that every mom has—and every mom can relate to..
Price: $7.59 [Notify me when price goes down.]

Fans young and old will laugh out loud at the irrepressible wit of peter Hatcher, the hilarious antics of mischievous Fudge, and the unbreakable confidence of know-it-all sheila tubman in Judy blume’s five Fudge books. brand-new covers adorn these perennial favorites, and will entice a whole new generation of Fudge—and Judy blume—fans..
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Located in the heart of the Andes, Potosí was arguably the most important urban center in the Western Hemisphere during the colonial era. It was internationally famous for its abundant silver mines and regionally infamous for its labor draft. Set in this context of opulence and oppression associated with the silver trade, Trading Roles emphasizes daily life in the city’s streets, markets, and taverns. As Jane E. Mangan shows, food and drink transactions emerged as the most common site of interaction for Potosinos of different ethnic and class backgrounds. Within two decades of Potosí’s founding in the 1540s, the majority of the city’s inhabitants no longer produced food or alcohol for themselves; they purchased these items. Mangan presents a vibrant social history of colonial Potosí through an investigation of everyday commerce during the city’s economic heyday, between the discovery of silver in 1545 and the waning of production in the late seventeenth century.

Drawing on wills and dowries, judicial cases, town council records, and royal decrees, Mangan brings alive the bustle of trade in Potosí. She examines quotidian economic transactions in light of social custom, ethnicity, and gender, illuminating negotiations over vendor locations, kinship ties that sustained urban trade through the course of silver booms and busts, and credit practices that developed to mitigate the pressures of the market economy. Mangan argues that trade exchanges functioned as sites to negotiate identities within this colonial multiethnic society. Throughout the study, she demonstrates how women and indigenous peoples played essential roles in Potosí’s economy through the commercial transactions she describes so vividly..
Price: $20.00 [Notify me when price goes down.]

In locations around the world, sex tourism is a booming business. What's Love Got to Do with It? is an in-depth examination of the motivations of workers, clients, and others connected to the sex tourism business in Sosúa, a town on the northern coast of the Dominican Republic. Denise Brennan considers why Dominican and Haitian women move to Sosúa to pursue sex work and describes how sex tourists, primarily Europeans, come to Sosúa to buy sex cheaply and live out racialized fantasies. For the sex workers, Brennan explains, the sex trade is more than a means of survival—it is an advancement strategy that hinges on their successful “performance” of love. Many of these women seek to turn a commercialized sexual transaction into a long-term relationship that could lead to marriage, migration, and a way out of poverty.

Illuminating the complex world of Sosúa’s sex business in rich detail, Brennan draws on extensive interviews not only with sex workers and clients, but also with others who facilitate and benefit from the sex trade. She weaves these voices into an analysis of Dominican economic and migration histories to consider the opportunities—or lack thereof—available to poor Dominican women. She shows how these women, local actors caught in a web of global economic relations, try to take advantage of the foreign men who are in Sosúa to take advantage of them. Through her detailed study of the lives and working conditions of the women in Sosúa’s sex trade, Brennan raises important questions about women’s power, control, and opportunities in a globalized economy..
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In this remarkable book historian Daniel James presents the gripping, poignant life-story of Doña María Roldán, a woman who lived and worked for six decades in the meatpacking community of Berisso, Argentina. A union activist and fervent supporter of Juan and Eva Perón, Doña María’s evocative testimony prompts James to analyze the promise and problematic nature of using oral sources for historical research. The book thus becomes both fascinating narrative and methodological inquiry.
Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection.
While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history..
Price: $8.00 [Notify me when price goes down.]

After 18 months of dating, hemming, hawing, begging, badgering, and threatening--as well as performing "really sincere fellatio"--the heroine of Otherwise Engaged has finally finagled an engagement ring. Eve seems confident that Michael, "the epitome of a Nice Jewish Man," is the person she wants to spend her life with. Yet she nearly kills herself soon after the celebratory dinner, staring at her newly acquired rock while speeding along a San Francisco freeway. And she may kill Michael, too, but not accidentally: "Michael leaves his socks on the floor when he takes off his shoes after work. This used to be fine. But now a sock on the floor isn't just a sock on the floor. It's a sock on the floor for the rest of my life."

Suzanne Finnamore's comic novel chronicles the happy couple's year-long engagement--which, to judge from Eve's Valium intake, is about 11 months too long. Eve and Michael bicker over every last detail: whether to hire a professional photographer or one of Michael's advertising-director buddies; which one of them wastes more money; who used up the last can of chicken stock and didn't add it to the shopping list. At 36, Eve throws more tantrums than the average toddler, and Michael's moodiness and problems with his ex-wife certainly don't help. The result is one drama-queen dilemma after another, none of them much ameliorated by Eve's slapstick sessions with "a seventy-year-old Marin County prominent Jungian."

Eve's troubles are primarily self-induced, of course, and the lush life she leads as a lavishly compensated advertising copywriter makes it hard to regard her as a tragic figure. Still, Otherwise Engaged is worth a quick read by any anxious bride-to-be who's delaying that inevitable appointment with Martha Stewart's premarital to-do checklist. --Erica Jorgensen.
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This collection stands as something of a tribute to Jane Kenyon, who died in 1995 at the age of 48. Otherwise contains 20 new poems plus selected works from her four previous collections. The situations from which her lively writing arise often came from her daily life in and around the New Hampshire farm where she lived with her husband. The simple settings provides fertile ground for her richness of language. "As late as yesterday ice preoccupied the pond--dark, half-melted, waterlogged. Then it sank in the night, one piece, taking winter with it. And afterward everything seems simple and good." Beautiful, gracious poetry..
Price: $8.49 [Notify me when price goes down.]

Since the Bolivian revolution in 1952, migrants have come to the city of Cochabamba, seeking opportunity and relief from rural poverty. They have settled in barrios on the city’s outskirts only to find that the rights of citizens—basic rights of property and security, especially protection from crime—are not available to them. In this ethnography, Daniel M. Goldstein considers the significance of and similarities between two kinds of spectacles—street festivals and the vigilante lynching of criminals—as they are performed in the Cochabamba barrio of Villa Pagador. By examining folkloric festivals and vigilante violence within the same analytical framework, Goldstein shows how marginalized urban migrants, shut out of the city and neglected by the state, use performance to assert their national belonging and to express their grievances against the inadequacies of the state’s official legal order.

During the period of Goldstein’s fieldwork in Villa Pagador in the mid-1990s, residents attempted to lynch several thieves and attacked the police who tried to intervene. Since that time, there have been hundreds of lynchings in the poor barrios surrounding Cochabamba. Goldstein presents the lynchings of thieves as a form of horrific performance, with elements of critique and political action that echo those of local festivals. He explores the consequences and implications of extralegal violence for human rights and the rule of law in the contemporary Andes. In rich detail, he provides an in-depth look at the development of Villa Pagador and of the larger metropolitan area of Cochabamba, illuminating a contemporary Andean city from both microethnographic and macrohistorical perspectives. Focusing on indigenous peoples’ experiences of urban life and their attempts to manage their sociopolitical status within the broader context of neoliberal capitalism and political decentralization, The Spectacular City highlights the deep connections between performance, law, violence, and the state.
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