Awesome Mischievous Album and Music Offers

The first retrospective of one of the defining visual stylists of the 1950s. Vintage music buffs have long been bedazzled by bizarre, cartoonish album covers tagged with the signature "Flora." In the 1940s and '50s, James (Jim) Flora designed dozens of diabolic cover illustrations, many for Columbia and RCA Victor jazz artists. His designs pulsed with angular hepcats bearing funnel-tapered noses and shark-fin chins, who fingered cockeyed pianos and honked lollipop-hued horns. In the background, geometric doo-dads floated willy-nilly like a kindergarten toy room gone anti-gravitational. He wreaked havoc with the laws of physics, conjuring up flying musicians, levitating instruments, and wobbly dimensional perspectives. Yet Flora's wondrous, childlike exuberance was subverted by a sinister tinge of the grotesque. As Flora confessed in a 1998 interview, "I got away with murder, didn't I?"

This is the first collection of the marvelous, mischievous album art of Jim Flora (1914-1998). The book contains most of Flora's known covers (around 50), which command high prices on eBay. The gallery includes rarely seen illustrations and covers from Columbia's new release monthly, "Coda" (1943-1953), and some of Flora's post-WWII commercial magazine work.

The Mischievous Art of Jim Flora also presents the first reprinting of Flora's fabled Little Man Press work (1939-1942). LMP was a small publishing imprint started by literary nutjob Robert Lowry, who recruited Flora as his graphic co-conspirator. Their LMP editions were printed at home in small runs of 125 to 400 copies. These books served as artistic rites of exorcism for Flora, as the budding illustrator's images veered from childish whimsy to disturbing freakishness.

The book encapsulates Flora's life with a biographical profile, interviews, photos, autobiographical reminiscences, and tributes from Alex Steinweiss, Gene Deitch, Shag, R.O. Blechman, Tim Biskup, and others who knew Jim and/or were influenced by him..
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Mushrooms magically spew forth from the earth in the hours that follow a summer rain. Fuzzy brown molds mischievously turn forgotten peaches to slime in the kitchen fruit bowl. And in thousands of other ways, members of the kingdom Fungi do their part to make life on Earth the miracle that it is. In this lively book, George Hudler leads us on a tour of an often-overlooked group of organisms, which differ radically from both animals and plants. Along the way the author stops to ponder the marvels of nature and the impact of mere microbes on the evolution of civilization. Nature's ultimate recyclers not only save us from drowning in a sea of organic waste, but also provide us with food, drink, and a wide array of valuable medicines and industrial chemicals.

Some fungi make deadly poisons and psychedelic drugs that have interesting histories in and of themselves, and Hudler weaves tales of those into his scientific account of the nature of the fungi. The role of fungi in the Irish potato famine, in the Salem Witch Trials, in the philosophical writings of Greek scholars, and in the creation of ginger snaps are just a few of the many great moments in history to grace these pages.

Hudler moves so easily from discussing human history to exploring scientific knowledge, all with a sense of humor and enthusiasm, that one can well understand why he is an award-winning teacher both at Cornell University as well as nationally. Few, for instance, who read his invitation to "get out of your chair and take a short walk" will ever again look without curiosity and admiration at the "rotten" part of the world around them. Magical Mushrooms, Mischievous Molds is full of information that will satisfy history buffs, science enthusiasts, and anyone interested in nature's miracles. Everyone in Hudler's audience will develop a new appreciation of the debt they owe to the molds for such common products as penicillin, wine, and bread.

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