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This dramatic, beautifully written account of the flood that ravaged Florence, Italy, in 1966 weaves heartbreaking tales of the disaster and stories of the heroic global efforts to save the city’s treasures against the historic background of Florence’s glorious art.

On November 4, 1966, Florence, one of the world’s most historic cities and the repository of perhaps its greatest art, was struck by a monumental calamity. A low-pressure system had been stalled over Italy for six weeks and on the previous day it had begun to rain again. Nineteen inches fell in twenty-four hours, more than half of the annual total. By two o’clock in the morning twenty-thousand cubic feet of water per second was moving towards Florence. Soon manhole covers in Santa Croce were exploding into the air as jets of water began shooting out of the now overwhelmed sewer system. Cellars, vaults, and strong-rooms were filling with water. Night watchmen on the Ponte Vecchio alerted the bridge’s jewelers and goldsmiths to come quickly to rescue their wares. By then the water was moving at forty miles per hour at a height of twenty-four feet. At 7:26 a.m. all of Florence’s electric civic clocks came to a stop. The Piazza Santa Croce was under twenty-two feet of water. Beneath the surface, twelve feet of mud, sewage, debris, and oil sludge were starting to ooze and settle into the cellars and crypts and room after room above them. Six-hundred-thousand tons of it would smother, clot, and encrust the city. 
Dark Water brings the flood and its aftermath to life through the voices of witnesses past and present. Two young American artists wade heedlessly through the inundated city carrying their baby in order to witness its devastated beauty: the Ponte Vecchio buried in debris and Ghiberti’s panels from the doors of the Florence Baptistery, lying heaped in yard-deep mud; the swamped Uffizi Gallery; and, in the city libraries, one billion pages of Renaissance and antique books, soaked in mire. A Life magazine photographer, stowing away on an army helicopter, arrives to capture a drama that, he felt, “could only be told by Dante” amid the flooded tombs of Machiavelli and Michelangelo in Giotto and Vasari’s Santa Croce. A British student, one of thousands of “mud angels” who rushed to Florence to save its art, spends a month scraping mud and mold from Cimabue’s magnificent and neglected Crocifisso as intrigues and infighting among international art experts and connoisseurs swirl around him. And during the fortieth anniversary commemorations of 2006 the author asks himself why art matters so very much to us, and how beauty seems to somehow save the world even in the face of overwhelming disaster.

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FOLLOW THE SECOND star on your right and fly straight on till morning and you'll find a place you know from your dreams - Never Land. Past the pirate ships and Peter Pan's secret hideaway is Pixie Hollow. Pixie Hollow is the Never Fairies' kingdom, and each fairy who lives there has a special talent. Rani makes magic with water. Fira's glow can light up the entire Home Tree. Bess brings color to everyone's life with her paintings Prilla keeps children believing in fairies.

The second collection of four enchanting Disney chapter books is available in time for the holidays, with all four boxed together in a lovely set and packaged with an exclusive Fairies poster!.
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In Stradivari’s Genius, Toby Faber charted the fascinating course of some of the world’s most prized musical instruments. Now, in this enthralling new book, he tells the story of objects that are, to many, the pinnacle of the jeweler’s art: the Fabergé imperial eggs.

The Easter presents that Russia’s last two czars gave to their czarinas have become synonymous with privilege, beauty, and an almost provocative uselessness. They are perhaps the most redolent symbols of the old empire’s phenomenal craftsmanship, of the decadence of its court, and of the upheavals that brought about its inevitable downfall. Fabergé’s Eggs is the first book to recount the remarkable story of these masterpieces, taking us from the circumstances that inspired each egg’s design, through their disappearance in the trauma of revolution, to their eventual reemergence in the global marketplace.

In 1885, Carl Fabergé created a seemingly plain white egg for Czar Alexander III to give to his beloved wife, Marie Fedorovna. It was the surprises hidden inside that made it special: a diamond miniature of the Imperial crown and a ruby pendant. This gift began a tradition that would last for more than three decades: lavishly extravagant eggs commemorating public events that, in retrospect, seem little more than staging posts on the march to revolution. Above all, the eggs illustrate the attitudes that would ultimately lead to the downfall of the Romanovs: their apparent indifference to the poverty that choked their country, their preference for style over substance, and, during the reign of Nicholas II, their all-consuming concern with the health of the czarevitch Alexis, the sickly heir to the throne–a preoccupation that would propel them toward Rasputin and the doom of the dynasty.

More than a superb new account of a classic tragedy, Fabergé’s Eggs illuminates some fascinating aspects of twentieth-century history. The eggs’ amazing journey from revolutionary Russia features a cast of characters including embattled Bolsheviks, acquisitive British royals, eccentric artifact salesmen, and such famous business and society figures as Arm and Hammer, Marjorie Merriweather Post, and Malcolm Forbes. Finally, Toby Faber tantalizingly suggests that some of the eggs long thought lost may eventually emerge.

Darting from the palaces of a besieged Russia to the showcases of New York’s modern mega-wealthy, Fabergé’s Eggs weaves a story unparalleled in its drama and extravagance.

Praise for Stradivari’s Genius

“Fascinating . . . lively . . . more enthralling, earthy and illuminating than any fiction could be.”
–The New York Times Book Review

“A celebration of six instruments and the master craftsman who made them . . . [Faber] brings to the subject an infectious fascination with Stradivari’s life and trade. . . . He writes with clarity and fluency.”
–Chicago Tribune

“An extraordinary accomplishment and a compelling read. Like strange totems that cast an irresistible spell, these instruments bring out the best and the worst of those who would own them, and Faber deftly tells the stories in all their rich and surprising detail.”
–Thad Carhart, author of The Piano Shop on the Left Bank

“A worthy contribution to the ongoing legend of Stradivari.”
–Minneapolis Star Tribune

“Fascinating, accessible, and enjoyable.”
–Tracy Chevalier, author of Girl with a Pearl Earring
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This book is a one-stop guide to the world’s greatest architectural achievements. Comprehensive and concise, it contains reviews of the most influential structures ever built worldwide. Covering a diverse array of architectural traditions and construction styles–from the bold and brash to the spiritual and reserved, from Angkor Wat to the Parthenon, from Frank Lloyd Wright’s Fallingwater to Frank Gehry’s Bilbao Guggenheim–the book celebrates the vision and achievement of world architecture. Entries are organized chronologically and include essential information on the featured building, as well as the social, political, cultural, and geographical considerations that influenced the design. Stunning illustrations and photographs highlight the technical feats and aesthetic brilliance of architects past and present. This comprehensive collection is an accessible reference for anyone interested in the history of architecture..
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In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective.

The Rescue Artist is a rollicking narrative that carries readers deep inside the art underworld -- and introduces them to a large and colorful cast of titled aristocrats, intrepid investigators, and thick-necked thugs. But most compelling of all is Charley Hill himself, a complicated mix of brilliance, foolhardiness, and charm whose hunt for a purloined treasure would either cap an illustrious career or be the fiasco that would haunt him forever.

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Offering a splendid collection of literary masterpieces in the best available translations, The Norton Anthology of World Masterpieces is a literal library of Western literature in two portable volumes. Most major works, from Homer's Odyssey to Chinua Achebe's Things Fall Apart, are offered complete or in substantial, readable excerpts. New authors and works abound, including pieces by Plautus, Lucian, Ariosto, de Vega, Shakespeare, Joyce, O'Connor, Munro, and Silko, and new sections of Medieval lyrics and tales, Romantic poetry in translation, and Dada-Surrealist poetry. Informative period introductions and author headnotes guide readers through the cultural and historical contexts surrounding the literature..
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