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2008 NATIONAL BOOK AWARD WINNER

Peter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision.

Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."

Peter Matthiessen’s lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more."

Praise for Shadow Country
“Shadow Country is altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. This magnificent, sad masterpiece about race, history, and defeated dreams can easily stand comparison with Ralph Ellison's Invisible Man and Robert Penn Warren's All the King's Men. Little wonder, too, that parts of the story of E.J. Watson call up comparisons with Dostoevsky, Conrad, and, inevitably, Faulkner. In every way, Shadow Country is a bravura performance, at once history, fiction, and myth–as well as the capstone to the career of one of the most admired and admirable writers of our time.” — The New York Review of Books

“Magnificent and capacious…. I'll just say right here that the book took my sleeve and like the ancient mariner would not let go. Matthiessen has made his three-part saga into a new thing…. Finally now we have these books welded like a bell, and with Watson's song the last sound, all the elements fuse and resonate….a breathtaking saga.” — The Los Angeles Times

“Gorgeously written and unfailingly compelling,Shadow Country is the exhilarating masterwork of [Matthiessen’s] career, every bit as ambitious as Moby Dick.” — National Geographic Adventure magazine

“Peter Mattiessen consolidates his epic masterpiece of Florida -- and crafts something even better…[He] deserves credit for decades of meticulous research and obsessive details and soaring prose that converted the Watson legend into critically acclaimed literature….Anyone wanting an explanation for what happened to Florida can now find it in a single novel, a great American novel.” — Miami Herald

“Matthiessen is writing about one man's life in Shadow Country, but he is also writing about the life of the nation over the course of half a century. Watson's story is essentially the story of the American frontier, of the conquering of wild lands and people, and of what such empires cost….Even among a body of work as magnificent as Matthiessen's, this is his great book.” — St. Petersburg Times

“Shadow Country is a magnum opus. Matthiessen is meticulous in creating characters, lyrical in describing landscapes, and resolute in dissecting the values and costs that accompanied the development of this nation.” --Seattle Times

“Shadow Country” is an ambitious, lasting, and meaningful work of literature that will not soon fade away. It is a testament to Mr. Matthiessen’s integrity as an artist that he felt compelled to return to the Watson material to produce this work and satisfy his original vision….a multifaceted work that can be read variously or simultaneously as a psychological novel, a historical novel, a morality tale, a political allegory, or a mystery. -- East Hampton Star

“Matthiessen’s Watson trilogy is a touchstone of modern American literature…this reworking…is remarkable….Where Watson was a magnificent character before, he comes across as nothing short of iconic here; it’s difficult to find another figure in American literature so thoroughly and confincingly portrayed.” — Publishers Weekly, starred review, Pick of the Week
“Matthiessen has reinvigorated and rejoined the trilogy’s novels…a mosaic about the life and lynch-mob death of a turn-of-the century Florida Everglades sugar planter and serial killer named E. J. Watson — into the 900-plus-page Shadow Country. This is no mere repackaging: Four hundred pages were cut from the novels, previous background characters now tromp to the foreground, and the books’ rangy, Faulknerian essence is rendered more digestible. Deliciously digestible, that is; this is a thick porterhouse of a novel.” — Men’s Journal
"The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. SHADOW COUNTRY lives up to anyone's highest expectations for great writing." -- Richard Ford
"Peter Matthiessen is a brilliantly gifted and ambitious writer, an inspired anatomist of the American mythos. His storytelling skills are prodigious and his rapport with his subject is remarkable." -- Joyce Carol Oates
"Peter Matthiessen's work, both in fiction and non-fiction, has become a unique achievement in his own generation and in American literature as a whole. Everything that he has written has been conveyed in his own clear, deeply informed, elegant and powerful prose. The Watson saga-in-the-round, to which he has devoted nearly thirty years, is his crowning achievement. SHADOW COUNTRY, his distillation of the earlier trilogy, is his transmutation of it to represent his original vision. It is the quintessence of his lifelong concerns, and a great legacy." -- W.S. Merwin.
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When photographer Paul Mobley set out to capture the soul of America's farming communities, he discovered a culture defined by tradition, integrity, and hard work, and comprised of the most authentic and generous individuals he's ever encountered. Traveling across the country from Tennessee to Montana, Mobley and his camera were welcomed into the homes of over one hundred farming families, who graciously shared their personal histories along with the fruits of their labor. To spend time with them was to turn back the clock--to an era when there were no locks on doors, no urban sprawl, and no virtue more prized than common decency. Children still move across the street and not across the state when they grow up, and parents move back in with their children whern they grow old. Story after story, visit after visit, Mobley slowly came to know the independent farmer's spirit both from behind the lens and over the dinner table.

The result is a stunning series of portraits and direct quotes that collectively chronicle the life of the American farmer. Each image offers an unvarnished and intimate look inside the hardships and joys of a quickly disappearing lifestyle--one that once defined our national identity and now struggles just to keep a foothold. And even as encroaching cities threaten their livelihoods, these men and women continue to find sustenance in the same basic human values they were raised with. American Farmer is an inspirational reminder of what it means to live with simplicity and contentment, in a world that is driven by excess. This vivid portfolio is accompanied by anecdotes and memories in the farmer's own words that are both a testament to their enduring hospitatlity and a moving glimpse into their daily routines and family histories. But what you will read first, and foremost, are their faces. From Bruce Crump, a citrus farmer in Florida; to Patsy Fribley, a stockyard dealer from Montana; to Thurston Wilber, a Maine lobsterman, Mobley's intense and beautiful portraits capture the furrows of fields lining their brows, the crevices of drought creasing the corners of their mouths, and the grains of truth in their squinted eyes.

35 states included: Alabama, Alaska, Arizona, Arkansas, California, Colorado, Florida, Georgia, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, South Carolina, South Dakota, Tennessee, Texas, Virginia, West Virginia, Wyoming.
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A magisterial work of narrative history, hailed in Britain as “the best one-volume account of the British Empire” and “an outstanding book” (The Times Literary Supplement).

After the American Revolution, the British Empire appeared to be doomed. But over the next 150 years it grew to become the greatest and most diverse empire the world has ever seen—ranging from Canada to Australia to China, India, and Egypt—seven times larger than the Roman Empire at its apogee. Britannia ruled the waves and a quarter of the earth.

Yet it was also a fundamentally weak empire, as Piers Brendon shows in this vivid and sweeping chronicle. Run from a tiny island base, the British Empire operated on a shoestring with the help of local elites. It enshrined a belief in freedom that would fatally undermine its authority. Spread too thin, and facing wars, economic crises, and domestic discord, the empire would vanish almost as quickly as it appeared.

Within a generation, the mighty structure collapsed, sometimes amid bloodshed. This rapid demise left unfinished business in Rhodesia, the Falklands, and Hong Kong. It left an array of dependencies and a ghost of an empire overshadowed by a rising America. Above all, it left a contested legacy: at best, a sporting spirit, a legal code, and a near-universal language; at worst, failed states and internecine strife.

Brendon tells this story with brio and brilliance; covering a vast canvas, he fills it with vivid firsthand accounts of life in the colonies and intimate portraits of the sometimes eccentric British officials who administered them. It is all here—from brief lives to telling anecdotes to comic episodes to symbolic moments. Panoramic in scope and riveting in detail, this is narrative history at its finest.

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John Gottman has revolutionized the study of marriage by using rigorous scientific procedures to observe the habits of married couples in unprecedented detail over many years. Here is the culmination of his life's work: the seven principles that guide couples on the path toward a harmonious and long-lasting relationship. Packed with practical questionnaires and exercises, The Seven Principles for Making Marriage Work is the definitive guide for anyone who wants their relationship to attain its highest potential..
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Product Description
Get ready for the most groundbreaking entry to date in the bestselling Birdsongs series (more than 400,000 copies sold!). Birdscapes delivers an immersive birding experience never before seen--or heard--in any book. For the eyes: seven elaborately engineered full-color pop-ups portraying dozens of bird species in diverse North American habitats from the Alaskan Tundra to a Southeast swamp. For the ears: extended recordings of the birds' calls and songs in stereo from the collection of the world-renowned Macaulay Library at the Cornell Lab of Ornithology. For the serious birder: scientifically accurate illustrations of the birds and moving text about their fragile ecosystems. This beautifully crafted volume is a visual and audio delight!

"Pop-up books aren't just for kids anymore! This multimedia experience transports you to seven natural habitats in North America and immerses you in the birds and their songs. --Greg Butcher, director of bird conservation, National Audubon Society

"Birdscapes is a delight for the eyes and the ears--a tour of North America's bird-rich ecosystems, rendered as seven lavishly detailed, three-dimensional landscapes, and brimming with choruses of authentic bird songs and calls." --Scott Weidensaul, author of Living on the Wind and Of a Feather

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An Interview with Miyoko Chu, Director of Communications at the Cornell Lab of Ornithology

Q: When did you first become interested in birds?

A: When I was 11, my father and I rescued some pigeons from a poultry truck in San Francisco's Chinatown. I spent a lot of time in the backyard coop, watching the pigeons as they courted and raised their young. It was amazing to realize all this drama was playing out with wild birds everywhere, too, and to have the opportunity to study it.

Q: What's your favorite bird song and why?

A: My favorite song is that of the Scott’s Oriole, featured in the desert scene of Birdscapes. Hearing that clear, bubbling melody in the desert is an unforgettable experience.

Q: What was the best thing about working on Birdscapes?

A: It was exciting to go from the ideas and bird lists for each soundscape to seeing and hearing this three-dimensional product as it emerged from the minds of the artists, editors, and sound engineers. It was incredible to see the artists' sketches transform into complex and ingenious pop-up scenes, and to experience how precise recordings for each bird were blended to evoke the soundscape.

Q: Have you visited all of the seven different bird habitats featured in Birdscapes?

A: Of the seven habitats, I'm most familiar with the desert, where I studied birds during 1995-2000, and the eastern deciduous forest, which is right outside my office window. I have visited the Great Plains and Pacific evergreen forests. I have not been to the Arctic, a southern swamp, or a seabird colony. In writing those scenes, I benefited from the insights of my colleague Gerrit Vyn, the Cornell Lab of Ornithology’s audio production engineer, who selected the recordings, including some that he had recorded on recent expeditions to these habitats.

Q: Which habitat in Birdscapes did you enjoy writing about the most and why?

A: Actually, there were two that I enjoyed the most--for completely opposite reasons! I loved writing about the desert because I had spent so much time there, and remembered the sights and sounds so vividly. And it was great fun to write about the seabird colony because that was something I had never experienced before—and I was completely surprised by what I learned. Whether an individual seabird's voice or thousands, the sounds are awe-inspiring, and the birds have such an interesting lifestyle as they all cram on to a bit of rock for the breeding season.

Q: Are you a daily birder or a weekend birder?

A: I'm an opportunistic birder! I'm always watching and listening for birds around my house and neighborhood. But in between work and spending time with my family, my focused birding these days happens irregularly, on the spur of the moment. My office at the Cornell Lab of Ornithology overlooks Sapsucker Woods, so I sometimes slip outside to look for birds after getting an email alert about a good migration day, or when I notice people outside my window pointing up at the trees.

Q: Do you have any suggestions for beginning birders?

A: Invest in a pair of binoculars and practice becoming comfortable with them. It will open up a whole new world, enabling you to see many more birds than you may have even realized were around you before. Spend time getting to know the different kinds of birds you see, the reasons for their behaviors, and the many kinds of sounds they use throughout the year.

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Excerpts from Birdscapes

Click on each image below to see a larger view of the page.

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More to Explore

Bird Songs: 250 North American Birds in Song

Bird Songs From Around the World

The Backyard Birdsong Guide: Eastern and Central North America

The Backyard Birdsong Guide: Western North America

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From the author of the phenomenal New York Times bestseller, Confessions of an Economic Hit Man, comes an exposé of international corruption— and an inspired plan to turn the tide for future generations

With a presidential election around the corner, questions of America’s military buildup, environmental impact, and foreign policy are on everyone’s mind. Former “Economic Hit Man” John Perkins goes behind the scenes of the current geopolitical crisis and offers bold solutions to our most pressing problems. Drawing on interviews with other EHMs, jackals, CIA operatives, reporters, businessmen, and activists, Perkins reveals the secret history of events that have created the current American Empire, including:

• How the “defeats” in Vietnam and Iraq have benefited big business

• The role of Israel as “Fortress America” in the Middle East

• Tragic repercussions of the IMF’s “Asian Economic Collapse”

• The current Latin American revolution and its lessons for democracy

• U.S. blunders in Tibet, Congo, Lebanon, and Venezuela

From the U.S. military in Iraq to infrastructure development in Indonesia, from Peace Corps volunteers in Africa to jackals in Venezuela, Perkins exposes a conspiracy of corruption that has fueled instability and anti-Americanism around the globe, with consequences reflected in our daily headlines. Having raised the alarm, Perkins passionately addresses how Americans can work to create a more peaceful and stable world for future generations..
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Ordinary days are magical when spent with those you love.

Dad and his little girl, along with their very large bloodhound, set off on an ordinary day and turn it into a wonderful adventure. From dancing by a duck pond to swinging on a tire swing, lots of laughs and love are shared in time spent together The day ends with a sweet "Goodnight, I love you" from Dad. And a whisper, "I love you more" from his little girl.

This book is a delightful reminder that spending time together really matters. Simple moments, laughter and knowing you are loved builds lasting relationships.

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