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A richly told story of the collision between nature’s smallest organism and history’s mightiest empire

The Emperor Justinian reunified Rome’s fractured empire by defeating the Goths and Vandals who had separated Italy, Spain, and North Africa from imperial rule. In his capital at Constantinople he built the world’s most beautiful building, married its most powerful empress, and wrote its most enduring legal code, seemingly restoring Rome’s fortunes for the next five hundred years. Then, in the summer of 542, he encountered a flea. The ensuing outbreak of bubonic plague killed five thousand people a day in Constantinople and nearly killed Justinian himself.

In Justinian’s Flea, William Rosen tells the story of history’s first pandemic—a plague seven centuries before the Black Death that killed tens of millions, devastated the empires of Persia and Rome, left a path of victims from Ireland to Iraq, and opened the way for the armies of Islam. Weaving together evolutionary microbiology, economics, military strategy, ecology, and ancient and modern medicine, Rosen offers a sweeping narrative of one of the great hinge moments in history, one that will appeal to readers of John Kelly’s The Great Mortality, John Barry’s The Great Influenza, and Jared Diamond’s Collapse..
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Volumes 1, 2, and 3 of the Bury Text, in a boxed set. Introduction by Hugh Trevor-Roper.
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The dream Alexander the Great and Julius Caesar shared of uniting Europe, the Medi­terranean, and the Middle East in a single community shuddered and then collapsed in the wars and disasters of the sixth century It was a looking-glass world, where some Romans ideal­ized the Persian emperor while barbarian kings in Italy and France worked tirelessly to save the pieces of the Roman dream they had inherited. At the center of the old Roman Empire, in his vast and pompous Constantinople palace, the emperor Justinian, with too little education and too much religion, set out to restore his empire to its glories. Step by step, the things he did to bring back the past sealed the doom of his entire civilization.

Historian and classicist James J. O'Donnell—who last brought us his masterful, disturbing, and revelatory biography of Saint Augustine—revisits this old story in a fresh way, bringing home its sometimes painful relevance to issues of our own time.

With unexpected detail and in his hauntingly vivid style, O'Donnell begins at a time of apparent Roman revival and brings us to the moment of imminent collapse that just preceded the rise of Islam. Illegal migrations of peoples, religious wars, global pandemics, and the temptations of empire: Rome's end foreshadows our own crises and offers hints how to navigate them—if we will heed this story.

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Byzantium. The name evokes grandeur and exoticism--gold, cunning, and complexity In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium--long history, she identifies the fundamental questions about Byzantium--what it was, and what special significance it holds for us today.

Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history--from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks.

She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe--and the modern Western world--possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art.

An innovative history written by one of our foremost scholars, Byzantium reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.

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In the greatest work of history in the English language, Edward Gibbon compresses thirteen turbulent centuries into a gripping epic narrative. It is history in the grand eighteenth-century manner, a well-researched drama charged with insight, irony, and incisive character analysis. In elegant prose, Gibbon presents both the broad pattern of events and the significant revealing detail. He delves into religion, politics, sexuality, and social mores with equal authority and aplomb. While subsequent research revealed minor factual errors about the early Empire, Gibbon's bold vision, witty descriptions of a vast cast of characters, and readiness to display his own beliefs and prejudices result in an astonishing work of history and literature, at once powerfully intelligent and enormously entertaining.

Based on David Womersley's definitive three-volume Penguin Classics edition of The Decline and Fall of the Roman Empire, this abridgement contains complete chapters from all three volumes, linked by extended bridging passages, vividly capture the style, the argument, and the architecture of the whole work..
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This book focuses on works of art, their creators, and the circumstances affecting their creation This revision is designed to provide readers with a more streamlined approach to understanding Italian Renaissance art without losing the enthusiasm and appreciation that Hartt demonstrated for this area and which earlier editions of this book conveyed so successfully. Italy and Italian Art; Duecento Art in Tuscany and Rome; Florentine Art of the Early Trecento; Sienese Art of the Early Trecento; Later Gothic Art in Tuscany and Northern Italy; The Beginnings of Renaissance Architecture; Gothic and Renaissance in Tuscan Sculpture; Gothic and Renaissance in Florentine Painting; The Heritage of Masaccio and the Second Renaissance Style; The Second Renaissance Style in Architecture and Sculpture; Absolute and Perfect Painting: The Second Renaissance Style; Crisis and Crosscurrents; Science, Poetry, and Prose; The Renaissance in Central Italy; Gothic and Renaissance in Venice and Northern Italy; The High Renaissance in Florence; The High Renaissance in Rome; High Renaissance and Mannerism; High and Late Renaissance in Venice and on the Mainland; Michelangelo and the Maniera.

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A trusted member of the Byzantine establishment, Procopius was the Empire's official chronicler, and his "History of the Wars of Justinian" proclaimed the strength and wisdom of the Emperor's reign. Yet all the while the dutiful scribe was working on a very different - and dangerous - history to be published only once its author was safely in his grave. "The Secret History" portrays the 'great lawgiver' Justinian as a rampant king of corruption and tyranny, the Empress Theodora as a sorceress and whore, and the brilliant general Belisarius as the pliable dupe of his scheming wife Antonina. Magnificently hyperbolic and highly opinionated, "The Secret History" is a work of explosive energy, depicting holy Byzantium as a hell of murder and misrule..
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For 1,600 years its message lay hidden. When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Christianity, and which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. And far from being a villain, the Judas that emerges in its pages is a hero.

In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas Iscariot is presented as a role model for all those who wish to be disciples of Jesus. He is the one apostle who truly understands Jesus.

This volume is the first publication of the remarkable gospel since it was condemned as heresy by early Church leaders, most notably by St. Irenaeus, in 180. Hidden away in a cavern in Middle Egypt, the codex (or book) containing the gospel was discovered by farmers in the 1970s. In the intervening years the papyrus codex was bought and sold by antiquities traders, hidden away, and carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble and restore it.

The Gospel of Judas has been translated from its original Coptic in clear prose, and is accompanied by commentary that explains its fascinating history in the context of the early Church, offering a whole new way of understanding the message of Jesus Christ..
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Edward Gibbon's six-volume History of the Decline and Fall of the Roman Empire (1776-88) is among the most magnificent and ambitious narratives in European literature. Its subject is the fate of one of the world's greatest civilizations over thirteen centuries - its rulers, wars and society, and the events that led to its disastrous collapse. Here, in volumes one and two, Gibbon charts the vast extent and constitution of the Empire from the reign of Augustus to 395 ad. And in a controversial critique, he examines the early Church, with fascinating accounts of the first Christian and last pagan emperors, Constantine and Julian..
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