Awesome Auteurs Album and Music Offers

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Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies This unique anthology addresses the aesthetic and historical debates surrounding auteurship while providing author criticism and analysis in practice.

• Examines a number of mainstream and established directors, including John Ford, Alfred Hitchcock, Howard Hawks, Douglas Sirk, Frank Capra, Kathryn Bigelow, and Spike Lee
  
• Features historically important, foundational texts as well as contemporary pieces
  
• Includes numerous student features, such as a general editor’s introduction, short prefaces to each of the sections, bibliography, alternative tables of contents, and boxed features
  
• Each essay deliberately focuses across film makers’ oeuvres, rather than on one specific film, to enable lecturers to have flexibility in constructing their syllabi

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Présentation de l'éditeur
L'essentiel de la langue et de la culture dans un format de poche. Un dictionnaire complet
de la langue française : 40 000 mots : des définitions claires et précises, des exemples d'emploi,
les principales locutions et expressions, les synonymes et les contraires ; les difficultés d'emploi :
grammaire, orthographe, prononciation ; les renvois pour passer d'un mot à l'autre, d'une idée à
une autre. Un dictionnaire de culture générale : 9 000 noms propres : personnes, lieux, événements... ;
dans tous les domaines : histoire, géographie, sciences, littérature, arts, philosophie, politique,
religion... Des tableaux pratiques : les conjugaisons, les noms d'habitants..
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During the 1960s, when cinema first entered the academy as a serious object of study, the primary focus was on auteurism, or on film's authorship Burgeoning cinema studies courses demonstrated how directors were the authors of work that undermined (or succeeded in spite of) all the constraints that Hollywood threw at them. New critical methods were introduced as the field matured, and studies of the author/director, for the most part, were considered obsolete.

Virginia Wright Wexman has pulled together some of the freshest writing available on the topic of film authorship. Spanning approaches including poststructuralism, feminism, queer theory, postcolonialism, and cultural studies, the contributors ask, what does auteurship look like today in light of all these developments? The contents of the volume are divided into three major sections: Theoretical Statements, Historical and Institutional Contexts, and Case Studies. Wexman's comprehensive introduction contextualizes the selections and summarizes the scholarly methods through which auteurism has been addressed in the past; it also provides a sketch of the history of media authorship. An extensive bibliography rounds off the volume..
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In his bold new study of the career of one of filmmaking's premier directors, author James M. Vest traces two intertwining strands of history: Alfred Hitchcock's interest in French culture, and French critics' sometimes complementary, sometimes confrontational interest in him. In the 1950s, Hitchcock was increasingly committed to including French-related elements in his films to enhance suspense and humor. At that same time, young critics in France-including Francois Truffaut, Claude Chabrol, Eric Rohmer, and Jean-Luc Godard-discovered in Hitchcock's films the mark of an auteur. They saw in him the creator of a cohesive body of work that bore his unique imprint, and in so doing, they countered the dominant opinion of Hitchcock as a proficient craftsman but ultimately just a maker of implausible melodramas. These interactions, explored fully and in-depth here, led not only to a revolution in film criticism, but also to a reenergizing of French cinema as well as the creation of a reputation that has lasted decades. Here is examined for the first time the cultural and intellectual background of those convergences in the mid-1950s-when the auteur theory was first being developed-as well as Hitchcock's transformation of French source materials in such films as I Confess and Vertigo, his use of French allusions in several films, and his New Wave tendencies in others. Providing access to books, essays, reviews, screenplays, and advertisements not generally available, Hitchcock and France chronicles a crucial period in the history of both filmmaking and film-viewing..
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Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film.

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Studying American Beauty is a comprehensive guide to the stylish and spectacularly successful film debut of director Sam Mendes and Six Feet Under creator Alan Ball. Jeremy Points considers eve-rything students and teachers of Film and Media Studies are likely to be interested in: cinematography, narrative, genre, representation, realism, ideology, institutions and audiences. But not only is this the definitive study guide to American Beauty; it's also a perfect model for the exploration of films in general. The author offers an ideal template for examining a text, the way audiences make sense of it and the way industrial contexts affect not only the nature of the film but the way audiences respond. Whether new to Film Studies or an experienced teacher, Studying American Beauty offers a fresh look at the skills necessary for a successful analysis.

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Price: $15.00 [Notify me when price goes down.]