|
|
|
The Pilgrim's Regress: An Allegorical Apology for Christianity Reason and Romanticism
|
|
Two Concepts of Allegory: A Study of Shakespeare's The Tempest and the Logic of Allegorical Expression
The fundamental subject of A. D. Nuttall’s bold and daring first book, Two Concepts of Allegory, is a particular habit of thought—the practice of thinking about universals as though they were concrete things. His study takes the form of an inquiry into certain conceptual questions raised, in the first place, by the allegorical critics of The Tempest, and, in the second place, by allegorical and quasi-allegorical poetry in general. The argument has the further consequence of suggesting that allegory and metaphysics are in practice more closely allied than is commonly supposed. This paperback reissue includes a new preface by the author. .
Price: $12.00
[ Notify me when price goes down.]
|
|
Didymus the Blind: Commentary on Zechariah (Fathers of the Church)
"The book of Zechariah" is "the longest and most obscure" of the Twelve Minor Prophets, Jerome remarked That may have been the reason why in 386 he visited the Alexandrian scholar Didymus the Blind and requested a work on this prophet. Though long thought to be lost, the work was rediscovered in 1941 at Tura outside Cairo along with some other biblical commentaries. As a result we have in our possession a commentary on Zechariah by Didymus that enjoys particular distinction as his only complete work on a biblical book extant in Greek whose authenticity is established, which comes to us by direct manuscript tradition, and has been critically edited. Thus it deserves this first appearance in English. A disciple of Origen, whose work on Zechariah reached only to chapter five and is no longer extant, Didymus's commentary on this apocalyptic book illustrates the typically allegorical approach to the biblical text that we associate with Alexandria. Even Cyril of Alexandria in the next generation will lean rather to the historical style of commentary found in the Antiochene scholars Theodore and Theodoret, whose works on the Twelve are also extant and who had Didymus open before them. Didymus alone offers his readers a wide range of spiritual meanings on the obscure verses of "Zechariah", capitalizing on his extraordinary familiarity with Holy Writ (despite his disability), and proceeding on a process of interpretation-by-association, frequently invoking also etymology and number symbolism to plumb the meaning of the text. No wonder he remarks, "The reader who understands it is a seer"; such is the richness of the hermeneutical offering..
Price: $39.95
[ Notify me when price goes down.]
|
|
How Philosophers Saved Myths: Allegorical Interpretation and Classical Mythology
In this concise but wide-ranging study, Luc Brisson describes how the myths of Greece and Rome were transmitted from antiquity to the Renaissance He argues that philosophy was responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth, mythology was progressively reincorporated into philosophy through allegory. Brisson reveals how philosophers employed allegory and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. “This wonderful book confirms Brisson’s status as one of the major authorities in the field of classical antiquity. Overall, and with this excellent translation, the book is invaluable.”— Choice “A compressed overview with moments of great insight. . . . Its strengths lie in the details Brisson is able to work into this brief treatment.”—Peter Struck, Journal of Religion.
Price: $13.50
[ Notify me when price goes down.]
|
|
Mapping Discord: Allegorical Cartography in Early Modern French Writing
Mapping Discord examines a series of allegorical maps published in France during the seventeenth century that cast in spatial terms a number of heated aesthetic and social debates. It discusses the convergence of map-making and literary creation in the context of early modern cartographic practice, and demonstrates that the unique language of allegorical cartography raises important theoretical questions about the relations between rationalist discourses of science and the figural designs of imaginative writing. In detailed analyses of the imaginary maps that appeared in seventeenth-century novels and stories, as well as of maps, atlases, and geographic treatises produced by professional scholars and engineers of the period, Mapping Discord considers the ideological structure and uses of cartographic language, and argues that allegorical maps have much to tell us about the potential capacity of every map to operate as a visual metaphor for power. Illustrated, Jeffrey N. Peters is Associate Professor of French at the University of Kentucky..
Price: $52.09
[ Notify me when price goes down.]
|
|
Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton
Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser.How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out..
Price: $36.00
[ Notify me when price goes down.]
|
|
|
|
|
