Awesome Teagarden Album and Music Offers

In the first installment of the Aurora Teagarden series, Real Murders, the small town of Lawrenceton, Georgia, was beset by a series of horrific murders. Librarian Aurora "Roe" Teagarden teamed up with true crime writer Robin Crusoe to catch the killer, and the results of their investigation have gone down in Lawrenceton history.

Now Robin is back in town, set to begin filming the movie version of the terrible events of so many years ago. Of course he's not alone-he brings with him a cast and crew the size of which nearly overwhelms the tiny excitement-starved town. Roe is disturbed to discover that the film's crew includes her stepson, who despises her, as well as an actress set to play her in the film. Everyone in Lawrenceton suddenly goes movie crazy, mentally composing awards-acceptance speeches while prancing around the fringes of the set awaiting discovery.

Roe's not so crazy about the whole thing...and neither is a secret, vicious murderer. When bodies start dropping, it's up to Roe to reprise her role as amateur sleuth and stop the carnage before it gets out of hand. It's no problem for the beloved small-town librarian in this wonderfully cozy installment in the adored Aurora Teagarden mystery series.

On the way to a lunch meeting of her local book discussion group, the Uppity Women, small-town Southern librarian Aurora "Roe" Teagarden is shocked and dismayed to find her sister-in-law Poppy lying bloody and dead right outside her own back door. Poppy had her flaws, certainly-she and her husband were having trouble staying faithful to each other-but she didn't deserve to be so brutally murdered.

Investigating a case like this is never easy, of course, given the gossipy atmosphere of any small town, what with Poppy and her husband's extramarital affairs, the local police detective (who also happens to be a former boyfriend of Roe's) and his seemingly unresolved feelings for Poppy, and the need to protect Poppy's family. But Roe is also coping with a burgeoning romantic relationship as well as the sudden appearance of her teenaged half brother. All in all, it's a lot for one woman to have on her plate, even one as together as Roe.

Longtime readers and new fans alike will delight in Roe's exploits as she employs her impeccable knowledge of small town politics and enchanting Southern charm to solve the crime in this wonderful installment of Charlaine Harris' terrific cozy series.

The emergence of Jack Teagarden as an important jazz stylist was a significant feature of the ‘20s jazz scene. He brought a maturity to the sound of the trombone and until late in his life played with a laconic grace that few, if any, on his instrument have equaled. His collaboration with Louis Armstrong—who rated their musical relationship higher than any he had known—was one of the great partnerships in jazz history. The story of this funny, happy Texan is told with affection and detail in this, the only biography of Jack Teagarden.“Obviously a man like Teagarden, with his mastery of his instrument, might have stepped into almost any kind of music and made a career for himself. But one thing this book makes clear is that Jack could not have been any kind of musician except a jazz musician. A jazz musician simply has to make his music and dedicate his life to it, even though he may not tell you (or himself) why he has to. He may not, indeed, even be able to say why, or need to say why. The need is to make music and, necessarily, lead the life that makes that possible. All of which has little or nothing to do with ego or acclaim or money. He needs to give his music to the world and he hopes the world will understand.You will find out about that need in these pages. You will also find plenty of the pranks and boys-will-be-boys anecdotes that seem so prevalent, diverting, and (under the surface) necessary a part of the musical life.”—Martin Williams, from his new preface.