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A revealing look at Iran by an American journalist with an insider’s access behind Persian walls

The grandson of an eminent ayatollah and the son of an Iranian diplomat, now an American citizen, Hooman Majd is, in a way, both 100 percent Iranian and 100 percent American, combining an insider’s knowledge of how Iran works with a remarkable ability to explain its history and its quirks to Western readers. In The Ayatollah Begs to Differ, he paints a portrait of a country that is fiercely proud of its Persian heritage, mystified by its outsider status, and scornful of the idea that the United States can dictate how it should interact with the community of nations.
With wit, style, and an unusual ability to get past the typical sound bite on Iran, Majd reveals the paradoxes inherent in the Iranian character which have baffled Americans for more than thirty years. Meeting with sartorially challenged government officials in the presidential palace; smoking opium with an addicted cleric, his family, and friends; drinking fine whiskey at parties in fashionable North Tehran; and gingerly self-flagellating in a celebration of Ashura, Majd takes readers on a rare tour of Iran and shares insights shaped by his complex heritage. He considers Iran as a Muslim country, as a Shiite country, and, perhaps above all, as a Persian one. Majd shows that as Shiites marked by an inferiority complex, and Persians marked by a superiority complex, Iranians are fiercely devoted to protecting their rights, a factor that has contributed to their intransigence over their nuclear programs. He points to the importance of the Persian view of privacy, arguing that the stability of the current regime owes much to the freedom Iranians have to behave as they wish behind “Persian walls.” And with wry affection, Majd describes the Persian concept of ta’arouf, an exaggerated form of polite self-deprecation that may explain some of Iranian President Ahmadinejad’s more bizarre public moments.
With unforgettable portraits of Iranians, from government figures to women cab drivers to reform-minded Ayatollahs, Majd brings to life a country that is deeply religious yet highly cosmopolitan, authoritarian yet with democratic and reformist traditions—an Iran that is a more nuanced nemesis to the United States than it is typically portrayed to be.

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An extraordinary new translation of the world-renowned mystic poet Hafiz.

More than any other Persian poet--even Rumi--Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Invisible Tongue." Indeed, Daniel Ladinsky, the accomplished translator of this volume, has said that his work with Hafiz is an attempt to do the impossible: to translate Light into words--to make the Luminous Resonance of God tangible to our finite senses.

With this stunning collection of 250 of Hafiz's most intimate poems, Ladinsky has succeeded brilliantly in translating the essence of one of Islam's greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature. .
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This new Readers Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner.”

In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no firsthand knowledge of this country beyond her father’s glowing memories of his graduate school years here. More family soon followed, and the clan has been here ever since.

Funny in Farsi chronicles the American journey of Dumas’s wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

In a series of deftly drawn scenes, we watch the family grapple with American English (hot dogs and hush puppies?—a complete mystery), American traditions (Thanksgiving turkey?—an even greater mystery, since it tastes like nothing), and American culture (Firoozeh’s parents laugh uproariously at Bob Hope on television, although they don’t get the jokes even when she translates them into Farsi).

Above all, this is an unforgettable story of identity, discovery, and the power of family love. It is a book that will leave us all laughing—without an accent..
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From the renowned translator of The Gift, a rich collection that brings the great Sufi poet to Western readers

To Persians , the poems of Hafiz are not “classical literature” from a remote past but cherished wisdom from a dear and intimate friend that continue to be quoted in daily life. With uncanny insight, Hafiz captures the many forms and stages of love. His poetry outlines the stages of the mystic’s “path of love”—a journey in which love dissolves personal boundaries and limitations to join larger processes of growth and transformation.

With this stunning collection, Ladinsky has succeeded brilliantly in translating the essence of one of Islam’s greatest poetic and spiritual voices. BACKCOVER: “If you haven’t yet had the delight of dining with Daniel Ladinsky’s sweet, playful renderings of the musings of the great saints, I Heard God Laughing is a perfect appetizer. . . . This newly released edition of his first playful foray into Hafiz’s divinely inspired poetry is essential reading . . . . Ladinsky is a master who will be remembered for finally bringing Hafiz alive in the West.”
—Alexandra Marks, The Christian Science Monitor.
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Rise up nimbly and go on your strange journey to the ocean of meanings ..

In the mid-thirteenth century, in a dusty marketplace in Konya, Turkey, a city where Muslim, Christian, Hindu, and Buddhist travelers mingled, Jelaluddin Rumi, a popular philosopher and scholar, met Shams of Tabriz, a wandering dervish.  Their meeting forever altered the course of Rumi's life and influenced the mystical evolution of the planet.  The bond they formed was everlasting--a powerful transcendent friendship that would flow through Rumi as some of the world's best-loved ecstatic poetry.

Rumi's passionate, playful poems find and celebrate sacred life in everyday existence.  They speak across all traditions, to all peoples, and today his relevance and popularity continue to grow.  In The Illuminated Rumi, Coleman Barks, widely regarded as the world's premier translator of Rumi's writings, presents some of his most brilliant work, including many new translations.  To complement Rumi's universal vision, Michael Green has worked the ancient art of illumination into a new, visually stunning form that joins typography, original art, old masters, photographs, and prints with sacred images from around the world.

The Illuminated Rumi is a truly groundbreaking collaboration that interweaves word and image: a magnificent meeting of ancient tradition and modern interpretation that uniquely captures the spiritual wealth of Rumi's teachings.  Coleman Barks's wise and witty commentary, together with Michael Green's art, makes this a classic guide to the life of the soul for a whole new generation of seekers..
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NOW A MAJOR MOTION PICTURE

In this riveting novel of almost unbearable suspense, three fragile yet determined people become dangerously entangled in a relentlessly escalating crisis. Colonel Behrani, once a wealthy man in Iran, is now a struggling immigrant willing to bet everything he has to resotre his family's dignity. Kathy Nicolo is a troubled young woman whose house is all she has left, and who refuses to let her hard-won stability slip away from her. Sheriff Lester Burdon, a married man who finds himself falling in love with Kathy, becomes obsessed with helping her fight for justice.

Drawn by their competing desires to the same small house in the California hills and doomed by their tragic inability to understand one another, the three converge in an explosive collision course. Combining unadorned realism with profound empathy, House of Sand and Fog marks the arrival of a major new voice in American fiction..
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In the bestselling memoir Funny in Farsi, Firoozeh Dumas recounted her adventures growing up Iranian American in Southern California. Now she again mines her rich Persian heritage in Laughing Without an Accent, sharing stories both tender and humorous on being a citizen of the world, on her well-meaning family, and on amusing cultural conundrums, all told with insights into the universality of the human condition. (Hint: It may have to do with brushing and flossing daily.)

With dry wit and a bold spirit, Dumas puts her own unique mark on the themes of family, community, and tradition. She braves the uncommon palate of her French-born husband and learns the nuances of having her book translated for Persian audiences (the censors edit out all references to ham). And along the way, she reconciles her beloved Iranian customs with her Western ideals.

Explaining crossover cultural food fare, Dumas says, “The weirdest American culinary marriage is yams with melted marshmallows. I don’t know who thought of this Thanksgiving tradition, but I’m guessing a hyperactive, toothless three-year-old.” On Iranian wedding anniversaries: “It just initially seemed odd to celebrate the day that ‘our families decided we should marry even though I had never met you, and frankly, it’s not working out so well.’” On trying to fit in with her American peers: “At the time, my father drove a Buick LeSabre, a fancy French word meaning ‘OPEC thanks you.’”

Dumas also documents her first year as a new mother, the familial chaos that ensues after she removes the television set from the house, the experience of taking fifty-one family members on a birthday cruise to Alaska, and a road trip to Iowa with an American once held hostage in Iran.

Droll, moving, and relevant, Laughing Without an Accent shows how our differences can unite us–and provides indelible proof that Firoozeh Dumas is a humorist of the highest order..
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A brilliant narrative history tracing today's troubles back to grandiose imperial overreach of Great Britain and the United States.

Kingmakers is the story of how the modern Middle East came to be, told through the lives of the Britons and Americans who shaped it. Some are famous (Lawrence of Arabia and Gertrude Bell); others infamous (Harry St. John Philby, father of Kim); some forgotten (Sir Mark Sykes, Israel's godfather, and A. T. Wilson, the territorial creator of Iraq); some controversial (the CIA's Miles Copeland and the Pentagon's Paul Wolfowitz). All helped enthrone rulers in a region whose very name is an Anglo-American invention. As a bonus, we meet the British Empire's power couple, Lord and Lady Lugard (Flora Shaw): she named Nigeria, he ruled it; she used the power of the Times of London to attempt a regime change in the gold-rich Transvaal. The narrative is character-driven, and the aim is to restore to life the colorful figures who for good or ill gave us the Middle East in which Americans are enmeshed today. 30 illustrations; 2 maps..
Price: $15.55 [Notify me when price goes down.]