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Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation..
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It would be impossible to overstate the influence of Geoffrey Chaucer’s The Canterbury Tales. A work with one metaphorical foot planted in the Florentine Renaissance literary tradition of Boccaccio’s Decameron and the other in works ranging from John Bunyan, Voltaire, and Mark Twain to the popular entertainments of our own time, The Canterbury Tales stands astride the cultures of Great Britain and America, and much of Europe, like a benign colossus.

Beyond its importance as a cultural touchstone and literary work of unvarnished genius, Chaucer’s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny–an undisputed classic that has held a special appeal for generations of readers. Chaucer has gathered twenty-nine of literature’s most indelible archetypes–from the exalted Knight to the bawdy Wife to the besotted Miller to the humble Plowman–in a vivid group portrait that captures the full spectrum of late-medieval English society and both informs and expands our discourse on the human condition.

Presented in these pages in a new unabridged translation by the esteemed poet, translator, and scholar Burton Raffel–whose translation of Beowulf has sold more than a million copies–this Modern Library edition also features an Introduction by the well-known and widely influential medievalist and author John Miles Foley that discusses Chaucer’s work as well as to his life and times.

Despite the brilliance of Geoffrey Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Burton Raffel’s magnificent new translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader..
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An intellectual dialogue of the highest plane achieved in America, the correspondence between John Adams and Thomas Jefferson spanned half a century and embraced government, philosophy, religion, quotidiana, and family griefs and joys. First meeting as delegates to the Continental Congress in 1775, they initiated correspondence in 1777, negotiated jointly as ministers in Europe in the 1780s, and served the early Republic—each, ultimately, in its highest office. At Jefferson's defeat of Adams for the presidency in 1800, they became estranged, and the correspondence lapses from 1801 to 1812, then is renewed until the death of both in 1826, fifty years to the day after the Declaration of Independence.

Lester J. Cappon's edition, first published in 1959 in two volumes, provides the complete correspondence between these two men and includes the correspondence between Abigail Adams and Jefferson. Many of these letters have been published in no other modern edition, nor does any other edition devote itself exclusively to the exchange between Jefferson and the Adamses. Introduction, headnotes, and footnotes inform the reader without interrupting the speakers. This reissue of The Adams-Jefferson Letters in a one-volume unabridged edition brings to a broader audience one of the monuments of American scholarship and, to quote C. Vann Woodward, 'a major treasure of national literature.'.
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In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875-1926), replied to the novice in this series of letters--an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse. Unabridged republication of the work published by Sidgwick and Jackson, London, 1946. Translator's Preface. Translator's Introduction. Introduction by the Young Poet. Commentary. Rilke in English. 1 black-and-white illustration.
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A beautiful gift set of Robert Fagles' award-winning translations of Homer

Gripping listeners and readers for more than 2,700 years, The Iliad is the story of the Trojan War and the rage of Achilles Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic.

If The Iliad is the world's greatest war story, then The Odyssey is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.

* Deluxe paperback editions with French flaps and acid-free paper in a handsome slipcase

* Robert Fagles is the recipient of the 1997 PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters

* The Iliad was a New York Times Notable Book and won the 1991 Harold Morton Landon Translation Award by The Academy of American Poets, an award from the Translation Center of Columbia University, and the New Jersey Humanities Book Award

* The Odyssey was chosen by Time as one of the ten Best Books of 1996.
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A classic of modern theatre and perennial favorite of colleges and high schools "One of the most noble and moving plays of our generation . . . suffused with tenderness for the whole human perplexity . . . like a sharp stab of beauty and pain."--The London Times..
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In this gripping chronicle of America's struggle for independence, award-winning historian John Ferling transports readers to the grim realities of that war, capturing an eight-year conflict filled with heroism, suffering, cowardice, betrayal, and fierce dedication. As Ferling demonstrates, it was a war that America came much closer to losing than is now usually remembered. General George Washington put it best when he said that the American victory was "little short of a standing miracle."
Almost a Miracle offers an illuminating portrait of America's triumph, offering vivid descriptions of all the major engagements, from the first shots fired on Lexington Green to the surrender of General Cornwallis at Yorktown, revealing how these battles often hinged on intangibles such as leadership under fire, heroism, good fortune, blunders, tenacity, and surprise. The author paints sharp-eyed portraits of the key figures in the war, including General Washington and other American officers and civilian leaders. Some do not always measure up to their iconic reputations, including Washington himself. Others, such as the quirky, acerbic Charles Lee, are seen in a much better light than usual. The book also examines the many faceless men who soldiered, often for years on end, braving untold dangers and enduring abounding miseries. The author explains why they served and sacrificed, and sees them as the forgotten heroes who won American independence. Ferling's narrative is also filled with compassion for the men who comprised the British army and who, like their American counterparts, struggled and died at an astonishing rate in this harsh war. Nor does Ferling ignore the naval war, describing dangerous patrols and grand and dazzling naval actions.
Finally, Almost a Miracle takes readers inside the legislative chambers and plush offices of diplomats to reveal countless decisions that altered the course of this war. The story that unfolds is at times a tale of folly, at times one of appalling misinformation and confusion, and now and then one of insightful and dauntless statesmanship..
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This timeless poem-more than 2,700 year old-still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amid devastation and destruction as it moves inexorably to its wrenching, tragic conclusion. Readers of this epic poem will be gripped by the finely tuned translation and enlightening introduction.

Translated by Robert Fagles
Introduction and Notes by Bernard.
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Introduction by Eugenio Montale; Translation by Allen Mandelbaum.
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4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism..
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