Awesome Antonines Album and Music Offers

This classic book brings to life imperial Rome as it was during the second century A.D., the time of Trajan and Hadrian, Marcus Aurelius, and Commodus It was a period marked by lavish displays of wealth, a dazzling cultural mix, and the advent of Christianity. The splendor and squalor of the city, the spectacles, and the day's routines are reconstructed from an immense fund of archaeological evidence and from vivid descriptions by ancient poets, satirists, letter-writers, and novelists-from Petronius to Pliny the Younger. In a new Introduction, the eminent classicist Mary Beard appraises the book's enduring-and sometimes surprising-influence and its value for general readers and students. She also provides an up-to-date bibliographic essay..
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In 1943, Northrop Frye wrote a paper, left unfinished, on "the state of the world." His ideas of what to expect after the end of the war and the role that literature might play in a time of peace, are the starting point for a meditation on the roles of writer and reader, and what kind of vision is required of them to explore and depict the world. Homer is the archetype of the writer who can see into the future through his knowledge of the past. But how has Homer been read throughout the centuries by generations caught up in the counterpoint of war and peace? And, following Frye's exploration, can Homer teach us to become better readers? Why Homer Must Be Blind/ La cécité incontournable d'Homère is the third Antonine Maillet-Northrop Frye Lecture, sponsored by the Northrop Frye International Literary Festival and the Université de Moncton. It was presented on April 26, 2008, in Moncton, New Brunswick, as part of the 2008 Frye Festival..
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In 1979, the legendary Acadian novelist Antonine Maillet won France's most coveted literary award, the Prix Goncourt, for the original version of this novel, Pélagie-la-Charette. In her acceptance speech, she said, "I have avenged my ancestors." Goose Lane Editions is proud to re-issue this classic of Acadian literature to mark the 400th anniversary of the founding of Acadie and the début of the novel's musical adaptation, Pélagie: An Acadian Odyssey. This funny, lyrical account of a daring Acadian widow's journey home from exile is the Mother Courage of Acadian literature. At thirty-five, Pélagie is a survivor of the Great Disruption of 1755, when British soldiers deported Acadians who had farmed along the Bay of Fundy for generations. Splitting up families, the soldiers tossed men, women, and children pell-mell into ships and dispatched them to ports all along the eastern seaboard of the US and to Louisiana. When it was heard years later that the British would tolerate their return to Acadie, thousands loaded possessions and children onto handcarts and set out on foot. After fifteen years of working as a slave in the cotton fields of Georgia, Pélagie, too, has had enough. Drawn home as if by a magnet, inspired by her love of her family and of Beausoleil, a heroic sea captain, and determined to outrace the "Wagon of Death," Pélagie sets off to take her people on a 3,000-mile trek back to their homeland. Her single cart, pulled by six oxen, soon attracts scattered Cormiers and LeBlancs, Landrys and Poiriers, Maillets and Légers. Together, this caravan of colourful Acadians undertakes a ten-year journey up the Atlantic coast to their childhood homes.
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The Antonines--Antoninus Pius, Marcus Aurelius, Lucius Veras and Commodus--played a crucial part in the development of the Roman empire, controlling its huge machine for half a century of its most testing period. Edward Gibbon observed that the epoch of the Antonines, the 2nd century A.D., was the happiest period the world has ever known.

In this lucid, authoritative survey, Michael Grant re-examines Gibbons's statement, and gives his own magisterial account of how the lives of the emperors and the art, literature, architecture and overall social condition under the Antonines represented an "age of transition." The Antonines is essential reading for anyone who is interested in ancient history, as well as for all students and teachers of the subject..
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This is Volume 2 of a four volume set

This incredible set begins with Napoleon's birth in Corsica in 1769 and ends with his entombment in the Invalides in Paris in 1840, further set off by an additional section back of Volume IV, Napoleon's Will. (And, no, he didn't leave it all to Josephine. They divorced in 1809. Four months later, he married Archduchess Marie Louise. She didn't get anything either.) That aside, these four illustrated volumes include chronologies, text, letters, and many many insights, both personal and professional, into the life and mind of a titan in world history..
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The quality of "monumentality" is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in molding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation--from monumentum, "a monument"--attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age--when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyzes the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself..
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