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Charles Bukowski disliked academics, as this academic and readable book points out from page one onward of its introduction, "Charles Bukowski vs. American Ways." Begun before Bukowski died in 1994, Charles Bukowski: Autobiographer, Gender Critic, Iconoclast was the first doctoral dissertation on his prose and poetry up to that date, and it is offered now for fans and academics alike-no more need for black-market sales.

Chapter One, "Placing Bukowski," introduces Bukowski's amazing life and career and relates his work to influential predecessors (primarily Ernest Hemingway and John Fante) and four contemporaries (Raymond Carver, Kurt Vonnegut, Frederick Exley, and Hunter Thompson).

Chapter Two, "Bukowski Among the Autobiographers," pursues Bukowski's comprehensive autobiographical project. Harnessing Timothy Dow Adams' concept of "strategic lying," the chapter follows Bukowski's thinly veiled personae through three stages-first through the attention-getting "Dirty Old Man," then responding to the attention and (re)defining himself, finally culminating in "Henry Chinaski," the hero of Bukowski's five autobiographical novels.

Chapter Three, "Problems of Masculinity: At 'Home,' at Work, at Play," tackles the knee-jerk assessment of Bukowski as just a sexist "Dirty Old Man." Michael Kaufman's "triad of men's violence" (against women, other men, and themselves) explains the general Bukowski persona as a complicated gender construct. Bukowski's Bildungsroman, Ham on Rye, shows Chinaski as victim, practitioner, and critic of male violence, with the last role figuring into his other work too.

Chapter Four, "Bukowski vs. 'Institution Art,'" classifies this challenging author as both populist and avant-garde. As general postmodern phenomenon, he blends the democratic accessibility of populist writing with the adventurous gesturing of the avant-garde, and the result is direct, daring, truthful, and funny.

The book's conclusion, "Summing Up: Giving Bukowski His Due," predicts that Bukowski will be read far into the 21st century. Buy his books before you buy this one..
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AUTOBIOGRAPHERS OF THE SEVENTEENTH CENTURY AN APPRECIATION OF GEORGE FOX By George C. Chase of Bates College THE WORK OF JOHN BUNYAN By Winthrop E. Stone of Purdue University WILLIAM LILLY, 1602-1681 "The Life of William Lilly, Student in Astrology" JOHN MILTON, 1608-1674 Letters of Milton and Personal Sonnets COUNT PHILIBERT DE GRAMMONT, 1621-1707 "Memoirs of the Count de Grammont" GEORGE FOX, 1624-1690 "The Journal of George Fox" JOHN BUNYAN, 1628-1688 "Grace Abounding to the Chief of Sinners" SOPHIA, ELECTRESS OF HANOVER, 1630-1698 "Memoirs of Sophia of Hanover" SAMUEL PEPYS, 1632-1703 "Pepys' Diary" SIR ISAAC NEWTON, 1642-1727 Letters of Newton.
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Readable, clear and concise guide for the inexperienced or seasoned writer..
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This digital document is an article from Journal of Australian Studies, published by University of Queensland Press on January 1, 2002. The length of the article is 5065 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The universal autobiographer: the politics of normative readings. (Framing Stories and Poetry).
Author: Kate Douglas
Publication:Journal of Australian Studies (Refereed)
Date: January 1, 2002
Publisher: University of Queensland Press
Page: 173(12)

Distributed by Thomson Gale.
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There is growing popular and scholarly interest in autobiography, along with increasing regard for the achievements of African American writers The first reference of its kind, this volume chronicles the autobiographical tradition in African American literature. Included are alphabetically arranged entries for 66 African American authors who present autobiographical material in their works. The volume profiles major figures, such as Frederick Douglass, Zora Neale Hurston, Richard Wright, Maya Angelou, James Baldwin, and Malcolm X, along with many lesser known autobiographers who deserve greater attention. While some are known primarily for their literary accomplishments, others have gained acclaim for their diverse contributions to society. The entries are written by expert contributors and provide authoritative information about their subjects. Each begins with a concise biography, which summarizes the life and achievements of the autobiographer. This is followed by a discussion of major autobiographical works and themes, along with an overview of the autobiographer's critical reception. The entries close with primary and secondary bibliographies, and a selected, general bibliography concludes the volume. Together, the entries provide a detailed portrait of the African American autobiographical tradition from the 18th century to the present..
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The first in-depth study of journalists as autobiographers, it suggests new ways to think about self, work, writing, and the culture that binds them together .
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